by Patrick Hall In today’s article, we discuss the difficulties of being an artist during the pandemic – a topic which I am sure will resonate with many of our readers. The pandemic has been an emotional and financial burden on many of us; but it is even more difficult when you are being asked to perform in front of a camera and not on a stage, having to source expensive tech equipment or missing the buzz of performing/ practising with others. Relying on the internet or on alternative spaces to create art poses problems with accessibility as a lot of people can’t afford the right facilities or get hold of the right kind of space within the confines of where they live. Many of us feel emotionally drained when practising art by ourselves and long to be working with others again. But is there anything that we can learn from this pandemic? Has the pandemic taught us anything about how we can modernise art and carry it through the future? I’ve never been a professional artist myself, but playing music with other people and sharing my poetry, even reading it aloud sometimes, have been key components in my happiness and wellbeing. Before the pandemic, I was always on the lookout for music ensembles to join, opportunities to perform and poetry ventures in which to participate. When the pandemic started, I remember my cello ensemble rehearsal being cancelled straight away and I naively assumed that this would be a momentary blip. Months later, I realised that all of my time was being spent working, going for walks alone or just sitting inside. I needed a way to get back into the Arts now that rehearsals were a no-go and I couldn’t see my friends on a regular basis. So I got into volunteering at a museum which was great fun because it gave me the chance to talk about and discover some amazing art, most of which had a local flavour to Devon and Cornwall. Volunteering for Be Extra was also great: although I couldn’t be with lots of creatives in a physical space, working with other creatives online and discovering fantastic artists through the wellbeing live events was spectacular. It is true that I am desperate to get back to an orchestra rehearsal, but I have loved how the pandemic has made me explore the arts differently and do things that I would not have done otherwise. Now let’s hear about the experiences of our CTO and Head of Development, Lizzy Hardman: My expectations for this year were a lot of time spent shuffling my CV and applying to as many auditions and competitions as possible while getting set up as self-employed. Particularly before summer, companies had no idea when they would be able to put on a show so auditions were cancelled and competitions closed their scope – “sorry, we’re only accepting applications direct from conservatoires”. Even more brutally for me was the fact that having been a student, the majority of my income had previously been a mixture of freelance work, part-time employment, and student loans, meaning I was ineligible for the government support for artists. Then came the next kicker – recordings for applications. They’re really a double-edged sword. Yes you can perform from the comfort of your own home, you get the chance to redo if you’re unhappy, and you get to save on travel costs. On the other hand, it comes with the presumption that everyone wanting to apply has access to a space suitable for performance, and access to decent tech equipment. I’m fortunate in that I have a decent mic from my work as a narrator but other people won’t be in that position. So many of my recordings have been ruined by my neighbours cackling and mimicking me from next door, or people walking past the window when I’m doing a video recording, picking their nose as I emotionally pour out ‘Se vuoi serbarla a ricordo d’amor!’ It’s also difficult to get in the mindset of performance when just behind you is your partner eating crisps and playing Cyberpunk. The pandemic has made us think differently about how we can share and access art, making the most of the internet and new technologies. However, it has also brought about issues regarding accessibility and we face the danger that certain creatives will be pushed aside while we look to modernise. Unfortunately, this may not be the only pandemic that we face in our lifetime and it would be good to adapt the way we work and become more flexible. But it is crucial that we bring up the problems faced by creatives during the pandemic and how we can tackle these. Hopefully, Lizzy’s experiences and my own have proved insightful, but stay tuned for reflections from two more of our volunteers, which are yet to come. Return to News & Features…
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Empty chairs and empty studios
How the global health pandemic has impacted studio spaces and their owners by Alice Strachen, co-founder of YourStudiosUK The effects of COVID-19 have devastated many industries, one of the first to shut its doors was of course the creative industry with theatres going dark and all TV and Film productions halting filming back in March 2020. With this closure, studios across the capital that usually would have been filled with rehearsals, fitness classes, filming and auditions were sadly left completely empty. This has had a huge impact on the industry as a whole and the mental health of many. Studio owners have faced huge turmoil and with no clear route out of lockdown, they have been left unsure of when they will be able to fill their space once again and financially, the impact has been absolutely devastating. So the roll out of the vaccine has been welcomed with open arms, with the hopes of busy studios in summer 2021 in sight. YourStudios was created to help creatives find their perfect studio to hire with ease and our hope was to help studios fill their spaces, help their marketing pursuits, increase their visibility and ultimately grow their overall profits. Creatives have produced some absolutely incredible work over the course of the past year, with many taking their work online, choreographing out of their bedrooms and doing their best to work out of their homes, however, research has shown that, “When you have a lot of demands from both work and family and you put the workplace in the home, family demands become very salient and you’re reminded of the conflict,” said the study’s author Timothy Golden, who is an associate professor at the Lally School of Management & Technology at Rensselaer Polytechnic Institute in Troy, New York. “But when you’re at your workplace, you don’t see the chores and family members, so you’re a little removed from the conflict”. Juggling the home/work life balance is an incredibly difficult task with many really struggling with motivation and productivity as a result. Having a separate space for our different pursuits is so important as ultimately, we want to be able to associate our home as a place of comfort and rest. Another bad habit that has crept in for many is working from their beds, something which at one point maybe sounded like a total luxury and dream job, however has now become a difficult reality. According to psychotherapist and behavioural sleep medicine therapist Annie Miller, there’s a very specific reason why we shouldn’t work from our beds. “When we use our bed for other activities, like working, reading, watching TV, etc., we create an association with wakefulness. We want the bed to be a cue for sleep, and working in bed weakens this association,” says Miller. With so many obstacles to overcome, any work that has been achieved over this past year deserves to be celebrated, but take comfort in the knowledge that our beloved studios will be open to us again very soon, we’ll be able to get back to yoga, work on the correct floors, have space and have be in the same space as others! We can’t wait! YourStudios launches in April 2021. Head over to their Instagram to keep up to date. Return to News & Features…
The pandemic has had many of us turning to new and familiar past times, as we consider what to do with all the time that we have spare- the time that we’d usually spend going out, seeing friends or travelling. While it sometimes seems that we’re just filling the gaps until the madness is all over, I wonder if there is anything we can learn from these changes. I myself have turned to reading. I was a massive bookworm as a teenager and my University degree mostly revolved around literature, so reading novels wasn’t exactly new to me. However, it was an activity that I’d lost since leaving University because I had been tied down by a fresh career and by the need to be sociable with friends and go out as much as possible. But there I was in Spring 2020: off work, bored and looking to make the most of my tiny but sunny garden. Being cooped up inside wasn’t something that I enjoyed, and I couldn’t always amass the energy to go walking all day. On my book shelf I saw I had Du Maurier’s Rebecca and the latter half of Thackeray’s Vanity Fair to complete- books I’d been given for previous birthdays and Christmases but had tossed aside during my busy life. Sitting tranquilly outside and enjoying the quiet felt very unfamiliar; but once I got used to it, it gave me a feeling of peace and harmony that I had been lacking. I wondered how many other people must be sat silently reading like me or regaining a hobby that they’d lost before lockdown. I wondered if reading fiction was only a temporary sanctuary; but I hoped that it would continue past the pandemic. The whirlwind suspense of Rebecca and the comical and satirical tone of Vanity Fair’s narrator were great sources of distraction to me and I felt transported somewhere else. But it was when I read Gale’s work that I realised that reading fiction in a pandemic isn’t a mere evasion. Take Nothing with You is about a young cellist entering the music world and discovering himself through his artistic experiences. I am a cellist myself and used to play in all kinds of ensembles, so this book brought back a lot of memories for me. Reading about the orchestra residentials, master classes and instrument shopping made me think of many moments in my past that I’d enjoyed but forgotten over the years. At first, I felt a sad kind of nostalgia but then it made me consider what was important to me, what really made me happy and what I wanted to get out of life once the pandemic was over. As the weather takes a turn, you may find me wrapped up by the fire reading a Christmas novel as I try to get my myself in the mood for the festive season. I am hoping to broaden my horizons beyond the novel and take a look at some poetry or theatre. There remains a heap of discarded books in my bedroom and, now that I am glad to have regained a lost hobby, I look forward to opening these up. I used to think of literature as a creative depiction of the outside world and a revelation of who people really are and how they behave. At the start of lockdown, I saw it as a means of escape. At present, I understand literature to be an opportunity for self-reflection. I suppose not just literature, but the act of reading itself and as artists, I think it is a pleasure to discover books that make us think about our experiences within the arts. The interlocutor of Rebecca finishes the novel by telling us that she will learn from her negative experiences as a shy young person to become a more confident and resilient person. Like many of us, I had a difficult 2020 and, when I think about this book, it gives me a feeling of hope. Patrick studied French at Oxford, having graduated last year, and is a big supporter of the Arts. He is a keen cellist, theatre goer, and volunteers at a museum in his spare time. He is one of our amazing team of volunteers, working as an Arts Administrator and PA to the CTO .